In 1904, a cabinet-type phonograph from Victor, the world's leading phonograph company, crossed the ocean and made its debut in the Qing Dynasty's imperial court, marking the official entry of sound instruments into the Eastern living space. Victor has created over 280 phonograph models in total, with the highest production volume in the world, profoundly influencing the structural evolution and aesthetic style of phonographs. Among them, the cabinet model is particularly exemplary, integrating storage, aesthetics and functionality. It is hailed as the original work of "hiding sound in a cabinet" and has become a symbol of upper-class life and cultural style.
Fennessy continues this historical thread, reinterpreting the beauty of sound objects with contemporary craftsmanship, allowing tradition and listening to echo once again in the Eastern context.
The design of the cabinet, which integrates elements such as the sun, the mountains and rivers of Tuva, and the Yenisei River, echoes the boundless, avant-garde and tenacious nature of the Hengha Tu band's music. The staggered three-dimensional carvings, the refined and tough lines of the river basin and neighboring countries, and the rich natural North American ash wood all embody the band's rough yet delicate musical temperament, depicting the topography of Tuva and the Yenisei River, and presenting a three-dimensional, unique and mysterious visual effect. The classic jet black and the golden color symbolizing "the sun's rays" collide, creating a mysterious and tense atmosphere, romantic and full of stories. When the melody flows out through the horn like the sun, the band's music is like the sun's rays, shining on Tuva, on the Yenisei River, and towards the world.
TSiberia is beyond your imagination, with distant mountains, fresh air and diverse ethnic cultures. There is also a humming sound from the shaman deity, an ancient soul music from the East, which is very famous in the West, mainly thanks to the Henghatu band.
